Let us imagine entering a museum and contemplating one of the exhibits. The exhibit could be said to offer us a type of revelation, for it stands before us and communicates a message. However, the message of a piece of art is not simple, singular or able to be mastered. This is evidenced in the fact that different people will take away different meanings from the same artefact, demonstrat­ing that the message is concealed, elusive and fluid. When we ask ourselves about the meaning of the artwork, we are immediately involved in an act of interpretation which is influenced by what we bring to the painting.

 Many Christian communities view the stories and parables of the Bible as raw material to be translated into a single, understandable meaning rather than experienced as infinitely rich treasures that can speak to us in a plurality of ways. Hence revelation ought not to be thought of either as that which makes God known or as that which leaves God unknown, but rather as the overpowering light that renders God known as unknown.

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